The Circus Leaves Town: What the New Day’s Farewell Video Reveals About WWE’s Troubles

The latest sendoff from WWE’s beloved New Day trio is a masterclass in subtle storytelling and not-so-subtle jabs at the company’s leadership. “Daybreak,” as it’s come to be known, critiques the very system that enabled their rise to stardom.

The video employs circus imagery to convey the New Day’s experience in WWE. The opening scene, featuring bowling pins being juggled, sets the tone for what follows: a narrative that critiques the exploitation of performers by those who claim to be their champions. This critique is particularly relevant given the words of critic and scholar bell hooks, who wrote that “the entertainment industry is built on the bodies of women and children, people of color, queer folks.” In this context, the New Day’s allegory takes on a deeper significance – one that speaks to the systemic abuse and mistreatment that has plagued WWE for far too long.

The introduction of Triple H as the ringleader is no accident. As the current face of WWE, he embodies the top-down approach to talent management that prioritizes profit over performer well-being. By casting him in this role, the New Day effectively underscores the way in which WWE’s leadership has consistently put profits ahead of its performers’ welfare.

The use of unicorns – specifically, Kofi Kingston and Xavier Woods – shackled to the wall is an apt representation of their experience in WWE’s final year. Like circus animals forced to perform under duress, they were used, watered down, and relegated to secondary status after a glorious run as one of the most beloved stables in company history. This commentary on WWE’s treatment of African American talent – often relegating them to marginal roles or outright ignoring their contributions – is particularly striking.

The Big E cameo adds an extra layer of poignancy, serving as a poignant reminder that even those who achieve success within the system can become casualties of it. His broken horn and limping gait serve as a powerful metaphor for the long-term effects of WWE’s injury-plagued environment – one that prioritizes spectacle over athlete welfare.

What makes “Daybreak” truly remarkable is its refusal to shy away from the uncomfortable truths about WWE’s treatment of performers. By highlighting the company’s controlling nature and exploitative tendencies, the New Day takes aim at a leadership that has consistently put profits ahead of people. As they walk off into the sunset, we’re reminded that even the most successful performers within the system can become casualties of its very fabric.

The implications of this video extend far beyond the WWE universe itself. As the world grapples with the consequences of exploitation and systemic abuse, “Daybreak” serves as a powerful reminder that even in the most seemingly glamorous industries, there lies a darker truth waiting to be exposed. By shedding light on these issues, the New Day has not only given voice to their own experiences but also become a beacon for those who have suffered similar fates within WWE and beyond.

It remains to be seen how WWE will respond to this video – whether they’ll attempt to silence its creators or acknowledge the very real concerns raised. One thing is certain: “Daybreak” has left an indelible mark on the world of professional wrestling, serving as a testament to the power of storytelling and the unyielding spirit of those who refuse to be silenced.